Monday, July 15, 2013

Wedding: Rosette Wall Decor

I've blogged about the rosettes that I made for the wedding before; you can read those posts Part 1, Part 2, Part 3.  Today I want to show you the big "installation" that I made for outside of the barn doors.  I am so in love with this project and sad to report that it rained on wedding day so I had to place it inside the barn- it looked good but didn't have nearly as big of an impact as it would have outside the barn doors.   

Originally I intended to make the piece on tag board or chipboard but Hubby informed me it wouldn't be strong enough to hold up what I envisioned so I decided to use artists canvas.  I grabbed two cheap 18x24" canvases from Michael's.  To begin I made a bunch rosettes in a variety of colors, styles, and sizes.  I used about 25 on each of the 2 panels, choosing my favorite ones for the top layer.   
In my mind it seemed like an easy thing to glue a bunch of rosettes down, layer them until they looked pretty and call it a day.  In reality it wasn't so easy.  For one thing the rosettes have very little surface area to actually glue to each other except in the very centers- that is great except if I lined up the centers I would have a tower of rosettes, not a pretty wall of rosettes.  The other issue was the depth of the individual rosettes.  Because I used several different designs from the Cricut Ribbons andRosettes cartridge some folds were very deep and some weren't.  That affected how they could be layered as I wanted them to lay evenly on the each other
To begin I measured out a 6x3' square on my floor and laid down a few pieces of Washi tape to keep the dimensions.  
Then I laid the canvases inside those dimensions so that I could make two pieces that would together measure 6x3'.  It wasn't important to be exact in my measurements but it gave me a goal as I started to lay things out.  I had purposefully made some rather plain rosettes out of the cardstock that I didn't love but got a lot cheap.  I always intended them to be the bottom of the pile.  I laid them out (above) so that they were flat on the canvas and glued them down using LOTS of hot glue.  

As I went along and realized the glue wasn't holding well (it is difficult to glue mountain fold to mountain fold because there isn't enough surface area).  I started adding large circle punched pieces of cardstock along the back of the rosettes in the areas where I need to glue them.  In hindsight I should ave added smaller ones on the top of the rosette below so that I was glueing circle-to-circle...but I didn't do that.   
I built up the design as I went along, paying attention to the size and design of the rosette as well as the cardstock pattern and color of each one.  In the end I didn't use any of the deep-folded ones because I couldn't get them to lay correctly with the other rosettes. 

I made sure the top rosettes were the ones I loved the most.  
You can see that the piece fits "together" in several different ways.  Here I have it very close together but on the barn door (below during a trial fitting) I had them apart and one above the other.  In the end they were one each side of the windows behind the stage-several feet apart.   They look great any
which way.
May your day be filled with Sunshine and Glitter.

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Sunday, July 14, 2013

Wedding: Tulle Wall Tutorial

Today I wanted to talk about the beautiful Tulle Walls that ran the length of the right side of the barn.  This was a project that became so much more than I expected.
Originally Brandin showed me this photo.  She really loved the look.  The problem(s)?  One issue was  where to use it?  She didn't want a traditional "head table" so we couldn't run it behind the wedding party which seemed the most obvious place to me.  The inspiration photo showed it behind the dessert buffet which is an option.  Unfortunately (or not) the area that we used for the pies and desserts didn't need this type of backdrop and would have in fact detracted from the finished look.  In fact the walls weren't tall enough to NEED this type of treatment.  The other big problem that I saw with replicating this exact look is the huge amount of  tulle it would take in our big barn.  Knotting the tulle like this is the easiest way to use it no doubt.  This is the same technique used to make the no-saw tutus that mothers of girls under the age of 4 have been blowing up over on Pinterest for the last few years.  While it is easy, it uses a lot of tulle.  If you are making a tutu you want the poof that comes from knotting the tulle this way but if you are making a wall of tulle that runs the length of a big barn...ya might want to consider other options.  By making the tulle into more of a curtain-by NOT doubling it on itself- we would save money.  Maybe it was simply a (bad) timing issue, but when we were talking about making something similar and calculating how much tulle to purchase, it was at a time that Brandin was getting very stressed about how much she was already going over budget.  Because we had limited local sources for tulle, we decided to go with a web-based company.  That meant I had to get the order correct the first time.  We wouldn't have time to order more later and returning something like that is difficult at best and a big waste of money for shipping at worst.  So get it right the first time Danee!  I asked my husband- the pilot/engineer/math lover- to help calculate what we needed.  We ended up using Koyale Wholesale and ordered white tulle -a bolt that was 108"x50 yards ($79.99) and one that was 54"x40 yards ($19.99).  This gave us enough to do what I originally planned which was several small "walls" of tulle scattered throughout the barn as well as a big buffer to play with.  

Before we ordered the tulle, I planned to make a pocket across the top of the tulle to run twine though, tie the twine to the open barn studs and maybe use washers as weights to hold the tulle down.  Several weeks before the wedding my husband was in Portland, OR and wandered into a store where he found some cheap clips he thought would be perfect for the tulle walls.  
They were shiny silver-colored alligator clips with a loop at the top that could be threaded onto the twine.  Even if I didn't run the twine through loop before tying it off, I  could easily added it later simply by opening the loop like a jump ring.  For only $1.99/pkg of 20 clips I was thrilled.  

A little of Tim Holtz's Distress Paint in Picket Fence was all it took to knock down the shine and gave them a vintage look that fit better with the vintage wedding vibe.  IT IS ALL ABOUT THE DETAILS PEOPLE.  Don't forget that because it is always true when it comes to decor and art.
I used the dabber on the Distress Paint to simply dab the paint on the clips while they were still on the cardboard straight out of the package.  The paint dries pretty quickly-maybe 15 minutes tops.  
Let's start with a photo of what the wall looked like early on the day of the wedding then I will show how it all went up.  At home, I had cut a length of tulle and clipped it up on twine in front of my sliding-glass door to show Brandin.  She wasn't thrilled and I didn't like the way it looked either.  I hadn't gathered it, instead using the clip placement to give it some loose gathers.... and it looked bad.  I left it in place for several days as I mulled over whether I wanted to deal with actually running a gathering stitch on ALL of the panels....the many many panels....on yards and yards of tulle.  UGH!  
 When working with tulle, one of the biggest issue is that it wrinkles easily and it is HARD to get those wrinkles out once they are in.  So I decided to hold off cutting the panels until I was at the barn ready to hang them.  I left the tulle on the bolts until I was ready to use them;  this is the best way to ensure a great looking (wrinkle-free) end result.  But that meant taking my sewing machine to the barn...the barn WITHOUT electricity.  Ok, so there was a little electricity.   First, I had to make sure we would have power.  The farmer let us use his battery (he keeps it charged using a generator).  All I know is that there was a plug I attached a really long extension cord to, ran that up a flight of stairs and across to the sewing machine.  As long as no one else needed power I was good.  You weren't really shocked that I decided there was no option other than running a gathering stitch through all those yards and yards of tulle were you?  
Me....I'm not really a Seamstress, but I did sleep at a Holiday Inn Express last night.
I cut all the tulle into 8' lengths using a rotary cutter, self-healing mat and large clear acrylic ruler.  I left the width folded the way it came on the bolt and simply unrolled it and cut it to length.  Only then did I open it up to its full width.  I ran a gathering stitch across the top of each panel of tulle about 2 inches down from the top edge using my sewing machine.  A gathering stitch this is made by running two rows of stitching, about 1/4" apart with the stitch length lengthened to about 6 or 8 (depending on your machine).  The goal is to have a stitch that is loose enough to allow the fabric to gather when one thread is pulled.  Although you can do it with one row of stitching, it is best to run two rows; the second row is insurance in case the thread from the first row is accidentally pulled out or breaks.  The gather is achieved by pulling one of the threads on the bottom row- this will cause the fabric to gather onto the other thread on the bottom row.  Although it would be even more labor intensive, you could sew this by hand using a needle and thread and a lot of patience.  How tight or loose the gather is isn't important at this point- that is something that will be determined when all the panels are hanging.  
After I ran the stitch, Brandin's mom and niece actually pulled the strings to make the gather.   Again it isn't important how tight you pull the gather at this point; just use a very rough estimate to just get the gathering started.  
Brandin and her other niece hung the panels using the painted clips and rustic twine that was wrapped around nails in the beams.  We used a level to ensure the twine was straight.
I made a few sweat shop jokes as I was still sitting and sewing hours later.
This went on all day....and night..and the next day....and the night...and the next day...No it didn't.  I lied...it was really only probably 4 or 5 hours. 
After we had the entire length of the barn covered with the tulle, I decided it needed something.  Maybe it should be draped?  Yes, that looked good....something else......a bow?   I made bows from the sheer apricot-colored fabric which was left over from an aborted bridesmaid's skirt project.  I used the rotary cutter and cut lengths that were 3" by the width of the fabric.
The two fabrics that were intended for the bridesmaid's skirts.   
The bows were tied using the rabbit-ear method.
 Begin with a piece of ribbon (or fabric) and make two loops with several inches between them.
Cross the loops and run loop 2 through the loop created by crossing loops 1 and 2.  
Pull tight.  You will have to adjust the bow but you will always get a great bow with loops hanging down. 
The draping tulle and bows were held in place with clear tacks and tulle in place.  Again, we used a level to ensure the drape and bows were even.  The tulle was secured back to very other board.   I love the way this gave us some drape but kept it from looking like it was a pregnant-tulle wall.
After the entire wall was in place we still had a few panels left.  I used 2 of the wider (108") panels for the altar.  The rest we used to help frame the doorways into the side "room" on the left side of the barn that housed the drink and dessert tables as well as the gift table.  These were the smaller panels of 54" wide tulle.
We also used them to help hide the "kitchen area" from the main area. 
Here I added seam binding bows. 

Hope your day is filled with Sunshine and Glitter.
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Saturday, July 13, 2013

Wedding: Centerpieces 2 Dressed Up Mason Jars


I wrote about the flower portion of the centerpieces in my last post.  Today I want to show you the other mason jars that I had scattered around the tables.   I had a variety of jar styles and each got a different look.  There were not an exact number of each for the 15 tables so I scattered them randomly around so that each table had the same basic look but achieved with different components.   I do want to warn you that some of the photos were taken at 2am on a night that I pulled an all-nighter so the photos aren't super great.  My Give-A-S%$#-factor was low at that point.  Now that I am well rested I wish they were a little better.
The jars were a hodge podge of vintage, new, and new-made-to-look-vintage Mason and Ball jars.  I did clean all the jars with hot soapy water and removed all the hardware- mainly because some had their metal hinges missing and I needed them to be consistent.  They also were bulky and interfered with the bows I put on the some of the jars.
Design 1.  I wrapped the twine around the jar 4-5 times, knot it leaving at least 3 inches of twine to attach the bow.
I layered burlap ribbon (it is a wire-edged ribbon I got at Hobby Lobby) with a piece of wedding fabric which was simply ripped-I loved the frayed edges.
I tore the pink fabric only slightly smaller than the burlap ribbon.  Finally I added a big fun 3D bow made from twine.
I hot glued the edges of each layer together.
The bow was made using the same technique as the seam binding bows in the last post. Wrap the twine around your 4 fingers (keep fingers close together for smaller bows and slightly apart of larger). The bow is simply tied onto the jar using the twine already on the jar.
Design 2

The same ribbon and torn fabric are used but placed on the bottom half of the larger jars.
The fabric was ripped into thinner strips and tied into a bow around the lip of the jar.
The bow is a simple "rabbit ear" bow.  Finally I hot glued a row of the cut pom pom ribbon (Melissa Frances) around the top of the burlap ribbon.
Design 3
This design was made using the seam binding bows (like the twine bow) and adding a few tags. 

 The tags were made using the Alternations Tiny Tabs and Tags die.  I laminated book paper onto cardstock and ran that through to get the circle and rectangle tags.  The heart was cut using another die and cut using decorative cardstock.   Everything was distressed using Brushed Corduroy Distress Ink. The rectangle tag was further embellished with Dry Stickles Clear Rock Candy.   I added a pearl from Idea-ology Baubles and connected everything to an Idea-ology Charm Clip using Jump Rings.  The Charm Clip was attached to the seam binding. 

May your day be filled with Sunshine and Glitter. 

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